Cinematic/tech artist & filmmaker. Online since 1999.
An html5 auto-conversation game about the different versions of ourselves that have been, are, and will be, meeting an ex from many years prior. Graphics designed/performed with iOS Messages animojis. Created for the October 2020- game jam at KADK. (Plus fixes, cleanup, and the addition of a third character.)
Introducing beta 7 of Forest, with better graphics, a more dynamic game world, and many behind the scenes tweaks. This project is released under an MIT License.
Forest Gods. Nearly all aspects of the board can now be influenced by randomly-generated, free-floating roamers. Some are dramatic (like lightning gods) others practically invisible (like soil porosity gods). They’re intended to make the forest more varied, and perhaps even less lonely and more mysterious.
Improved Fire. Fire has been an aspect of the game world for several versions, but is completely rewritten in beta 7 to be much more graphical, dramatic, realistic in its effect on the forest, and unpredictable.
Better Graphics. The band of the sun now moves throughout the year more accurately, and the stars now properly blur into rings as well. Fog is a custom shader, the minimum of height fog and linear distance fog. Lighting for the ground and water now comes from an array of lights aligned with the sun ring. (Trees are still sprites, however, and don’t yet respond to lighting.) The randomly generated forest’s average temperature is used as a stand-in for latitude.
Smaller Board. Moved from a 200×200 tile grid down to 128×128. This seems to tax the CPU a little less without noticeably changing the scale of the game.
Erosion. Soil is now washed along by water. Stream system formation is still rare, but it does happen.
Introducing beta 6 of Forest. This release should bring a much higher framerate in all browsers, and a number of small fixes.
I’ve tried to organize Forest into a series of big JavaScript Objects that group related activities, and Classes to cleanly manage everything I need more than one of. Please take a look at the game loop and WebWorker code if you’re interested in how any of it works. This project is released under an MIT License.
Better performance in all browsers. Beta 6 moves the process of updating water flow and ground conditions into a WebWorker, a second processor thread. Beta 5 was a major rewrite to accomodate this, moving most of the data of each GridTile object into a single, large Float32Array, and adding Getters/Setters to the GridTile class to make the array data behave like normal properties. Parts of the array can then be rapidly copied, to update the vertex data or to be sent to the worker thread, via the .subarray() function. Data returned from the worker thread can then be copied back into the main array via a .set() operation. Currently, any changes made to the board by Actors or Roamers during thread execution will be overwritten
Better performance in Firefox and Chrome. The GridTile prototype uses Getters/Setters to manipulate the data in the master Float32Array. This was originally done in Beta 5 to allow moving some updating to a WebWorker, but for whatever reason the major speedup of moving the data into the Float32Array alone ended up being worth the change. The index lookups in the Getters/Setters (e.g. ground.data[ground.indices.watertable+this.index]) bring virtually no overhead in Safari, but Chrome and Firefox struggled with them. Beta 6 caches the lookup indices in each object, which speeds up Firefox and Chrome considerably even absent the WebWorker thread.
“Forest” is a peaceful, meditative god game. It is free, runs in any modern browser, and is played with one button (or finger). Each time the page is loaded, a forest with a random climate is created. You may interact, observe, or any combination of the two. There is no objective.
The game is written in JavaScript, using WebGL via the Babylon.js framework. Beta 5 is a preview release for which I’m grateful for feedback– a major rewrite, much faster and more memory-efficient than previous betas, with most of the major systems in place for the game as I’d originally conceived it. If you’re interested, please take a look at the source code.
Copyright (c) 2020 Matt Rasmussen
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
THE SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
The House of Time, a scale model of earth history, public beta v0.3 is now live. While it’s still pretty empty, this is the first release where I feel the important pieces are all in place (if only as stubs).
The House of Time, a scale model of earth history, is now in public beta v0.2.
The House of Time, a scale model of earth history, is now in public beta. Introducing v0.1.
Holocene Gate – Pleistocene Drain – Pliocene Verge – Miocene Planters – Oligocene Drive – Eocene Circle – Paleocene Stairs – Hall of the Cretaceous – Hall of the Jurassic – Hall of the Triassic – Permian Veranda – Carboniferous Grove – Devonian Stand – Silurian Deck – Ordovician Walk – Cambrian Path – Proterozoic Acreage – Archean Waste – Hadean Shore
Babylon.js-Based Engine – Zero-Texture-Map Detailing (world space and model space GPU noise functions, SVG importer, client-side extrusion) – Positional Asset Loading/Unloading – Sound Manager – Environment Manager – Async Terrain Updater
Not enough
Membership/Info Card – Titanosaur & Other Models – Low-res Ionic Column – Moon – Stony Beach – Stars – Sunset – Much Much More
Framerate-Independant Movement Speed – Lazy Shader Compiler – “Crawler” Mesh – Fill Lighting for Darkness – Touch Controls – Frame Rate Optimization
Unpredictable Sprites – Ocean Vertex Displacement Not Following Waves – Hadean Cliff Artifacts – Ripples Only Visible When Looking East – Safari Support
In a short while, the link to the venerable Bestiary of Geekdom up top will move to the sidebar, and be replaced with the House of Time.
This is a project I’ve been tapping away at for six months or so, on and off, and in an effort to play a little less of my usual gin rummy, I’m working toward soft-launching a public beta. It will be missing a lot of features and content, but should be a good start.
The 3d engine is built in Javascript on the Babylon.js WebGL framework. My goal is for it to run in all modern browsers–including mobile–with low-to-modest hardware requirements. There will be no loading screens, HUD or narration, no accounts or other tracking, no objectives or “gamification,” and certainly no ads. The House of Time will be free and available to all. If you’re old enough to remember the experience of Myst when it first came out, you’ll understand the quiet, contemplative, even lonely atmosphere I wish to create. Art as science as art. This is in furtherance of my personal philosophy that education should be free.
I’ve been designing a system that uses as little bandwidth as possible. Most interactive 3d is built around the expectations of PCs and consoles: That transfer is fast, storage is large, and the GPU is the bottleneck. Here that’s reversed. There will be zero texture maps. Shaders will supply most of the visual detail procedurally, generating it on the fly in your graphics card. SVGs will be rendered to bitmap in a hidden canvas element to supply more specific 2d imagery. Most of the shaders will rely on world space coordinates, so that two instanced models sitting side by side may look radically different. Instanced geometry will be used as much as possible. Complex extruded shapes will be generated in the browser from a path and cross-section. Chunks of geometry will load only when needed, and free their memory when no longer in use.
The overall scene (more than a mile long) is being built in Blender, as it plays well with Babylon.js and glTF export. Even with the UI improvements in the Bforartists fork, this has been a major pain point, and creation of complex 3d assets (dinos!) lags badly. (My preferred 3d package, Hash Animation:Master, has sadly become a paid zombie, with no meaningful updates this decade. The quest for a replacement continues…) I split the large scene into chunks manually and export them for browser loading with Babylon.js’s Blender export plugin. Tags in the names of models and lights are digested by the engine on load, to do things like assigning noise shaders, creating extruded shapes, or replacing a mesh with sprites.
This week, I’ve built a new stageManager object to move scenery on- and offstage and in and out of memory, as well as written a new pine foliage shader I’m reasonably happy with. Before going public, I still need to create and fix a few more things:
Membership/Info Card – Footstep sounds – Titanosaur – Low-res Ionic Pediment – Evergreens – Brick Walkways – Tree Ferns – Cambrian Marker – Beach – Stars
StageManager – New evergreen shader – Sound manager
Crash on deleting assetContainer – Falling sprites not finding ground – Sprite systems not reusing correctly – Too much fog at start – Left-hand side of gate not animating – Miocene grass too short – Cretaceous Hall light wonkiness – No Carboniferous shadows
You visit a page and find a punched metal gate, with an arrowhead design on one half and an Apollo capsule on the other. It slides open. You realize this is a 3d scene, like a game, and you can move about with familiar keyboard, mouse and touch controls.
The fog rolls back to reveal a paved driveway leading to a museum-like facad ahead. The outlines of animals line the walk. Strange animals
You hear your footstep as you pass through the thin gate, stepping over a drain and past some grassy planters. You cross the turnaround circle and mount the steps.
Inside, sunlight streams through a modernist glass domed roof, falling on stone sculptures of dinosaurs. Titanosaur towers over you. Beneath your feet, a plexiglass floor shows creatures from the sea. On you pass into an older-looking part of the museum. More creatures: Allosourus, stegosaurs. Forward into a gothic section, with still more creatures: plainer somehow, more crocodile-like. You pass outside again through a charred portal, burned to its hinges.
Outside, sailback lizard sculptures bask in the sun of a palatial back veranda. You descend the steps into a stand of pines and ferns. The path continues. Lonely, rough-hewn sculptures in rusted metal mourn a world they once ruled. Soon there’s nothing but a thick carpet of trilobite fossils, crunching beneath your feet. A plain marker declares even their end.
There is nothing but the scrub, the path, the sun. Occasional stone columns pass to either side.
Half an eternity later, the sun begins to set. As you pass over a small rise, the moon disappears. Below is a rocky beach leading to an endless sea. You descend as the stars come out and stand at the dark surf, watching the stars above and below.
This is the House of Time, a scale model of Earth history. Each step you’ve taken represents a million years.
Amazon should control the oceans off all local communities. They can replace local beaches and save taxpayers lots of money, while enhancing the value of their stock.
There was a time seasides offered the local community lots of services in exchange for their tax money. They would bring sun, sea, and sand to the masses. Residents could visit any time they wanted, swim, and enjoy an ice cream.
They also provided residents with a comfortable place they could enjoy nature. They provided people with a place they could swim in peace with the oversight of friendly lifeguards. Oceans served as a place where residents could hold their outdoor events, but this was a function they shared with parks. There’s no shortage of places to hold outdoor events. Also, the parks should be privatized.
The sea slowly began to service the local community more. Seas served up fish, and allowed the free movement of goods. The modern ocean still provides these services, but they don’t have the same value they used to. The reasons why are obvious.
One such reason is the rise of “third places” such as private pools. They provide residents with a comfortable place to swim, sunbathe, meet their friends and associates, and enjoy a great picnic. This is why some people have started using their towel card more than they use their National Parks card. (I realize that “some people” means literally nothing, but work with me here. Also, the National Parks should be privatized.)
On top of this, streaming services such as Netflix and Amazon Prime have replaced the need to go outside. They provide nature content to the masses at an affordable rate. Actual natural places, like Martin’s Beach in California, have all but disappeared.
Then there’s the rise of plastic technology. Plastic has turned seashells into collector’s items, effectively eliminating the need for beachcombing.
Of course, there’s Amazon Shore to consider. Amazon has created their own online ocean that has made it easy for the masses to access both physical and digital artefacts of the world’s seas. Amazon Shore is a chain of stores that does what Amazon originally intended to do; replace the local. It improves on the beach model by adding salt water and ice cream. Amazon Shore basically combines a shoreline with an ice cream stand.
At the core, Amazon has provided something better than a local ocean without the tax fees. This is why Amazon should replace local beaches. The move would save taxpayers money and enhance the stockholder value of Amazon all in one fell swoop.
Above all, if the wobbly rhetoric and (nearly) fifth grade writing level of this piece haven’t convinced you, take comfort in knowing that it’s still marginally less stupid than this since-deleted Forbes piece.