
If you’re in the Boston area Sunday, February 8, be sure to catch the world premier at the Boston Sci-Fi Film Festival.

Technical artist. Blogging since 1999.

If you’re in the Boston area Sunday, February 8, be sure to catch the world premier at the Boston Sci-Fi Film Festival.
I love making stuff. The films I get involved with always seem to result in fun builds. It’s possible I’m getting my priorities backwards.










A printable PDF of all nine stories in Sax Rohmer’s 1920 occult detective series, The Dream Detective:
iPhone port of the classic SegaCD RPG. Still a wonderfully fun game.
Here’s an (unofficial) soundtrack album for the 2017 Netflix series “Dark,” for iTunes downloading:
The above is based substantially on Cinema Lumina’s streaming Apple Music playlist, with Marcin Tomaszewski’s Spotify playlist, and the sleuths on Tunefind.
Play time is a satisfying 1 hour 2 minutes, and the total cost a less-so $16.86. If you’d like to save a few bucks, I’d recommend omitting the just-barely-a-song “Cow Song,” the unintentionally creepy postwar German hit “Es wird ja alles wieder gut,” and ’80s crap “The Look of Love” and “I Ran.” (Nostalgia? I was there, Gandalf! In the 1980s. I was there when the strength of men failed…)
Besides the (unavailable) score itself, there are some omissions. On the out-of-place counterpoint song front, I prefer the Flock of Seagulls song to “You Spin Me Round (Like a Record)” by Dead of Alive [iTunes $1.29] simply because it’s less annoying (and lacks even the freaky faux-sincerity of ABC). It also appears only briefly as music heard by characters, in continuity. Likewise “Irgendwie, Irgendwo, Irgendwann” by Nena [iTunes $1.29], old standby “Shout” by Tears for Fears [iTunes $1.29] and the two barely-heard generic metal tracks, “Rücklauf” by Marathonmann [iTunes $1.29] and “Pleasure to Kill” by Kreator [iTunes $1.29]. Roomful of Teeth’s odd experimental vocal track tends to fade into the general noise ambiance of the show’s sound mix, but the track is “Partita: III. Courante” [iTunes $0.99]. Likewise Ben Frost’s pleasant but forgettable “Snow” [iTunes $1.29]. Finally, there’s a Mimi Page track supposedly called “Nightfall,” but I haven’t been able to locate it.
The House of Time, a scale model of earth history, public beta v0.3 is now live. While it’s still pretty empty, this is the first release where I feel the important pieces are all in place (if only as stubs).

The House of Time, a scale model of earth history, is now in public beta v0.2.
The House of Time, a scale model of earth history, is now in public beta. Introducing v0.1.
Holocene Gate – Pleistocene Drain – Pliocene Verge – Miocene Planters – Oligocene Drive – Eocene Circle – Paleocene Stairs – Hall of the Cretaceous – Hall of the Jurassic – Hall of the Triassic – Permian Veranda – Carboniferous Grove – Devonian Stand – Silurian Deck – Ordovician Walk – Cambrian Path – Proterozoic Acreage – Archean Waste – Hadean Shore
Babylon.js-Based Engine – Zero-Texture-Map Detailing (world space and model space GPU noise functions, SVG importer, client-side extrusion) – Positional Asset Loading/Unloading – Sound Manager – Environment Manager – Async Terrain Updater
Not enough
Membership/Info Card – Titanosaur & Other Models – Low-res Ionic Column – Moon – Stony Beach – Stars – Sunset – Much Much More
Framerate-Independant Movement Speed – Lazy Shader Compiler – “Crawler” Mesh – Fill Lighting for Darkness – Touch Controls – Frame Rate Optimization
Unpredictable Sprites – Ocean Vertex Displacement Not Following Waves – Hadean Cliff Artifacts – Ripples Only Visible When Looking East – Safari Support