Darwin in Love

“In September of 1837, Darwin suffered palpitations of the heart, which would plague him throughout his life. Recuperating in his home town of Shrewsbury, he was introduced to his cousin, Emma Wedgewood, who mended his heart, and then won it. Charles Darwin and Emma Wedgewood fell in love, but ever a man of method, he drew up two lists. One called ‘Marry,’ one called ‘Not Marry,’ and he worked through the pros and cons. He concluded that ‘A constant companion and a friend in old age’ outweighed ‘Less money for books’ and ‘The terrible loss of time.'”

–Melvyn Bragg, from “In Our Time: Darwin, Part 2” on BBC Radio 4

The Darwins had ten children.

Malcolm Gladwell’s Good Teacher/Bad Teacher Delusion

Regarding Malcolm Gladwell’s New Yorker article “Most Likely to Succeed”

Sure Malcolm: Don’t blame students; don’t blame parents; don’t blame underfunded schools; don’t blame distending class sizes, don’t blame school funding being tied to local property taxes; don’t blame artificial testing requirements devouring classroom time; don’t blame required special education skewing dollar-per-student vs. results numbers wildly below magnet and parochial schools; don’t blame the flight of your upper-middle class into homogenous neighborhoods.

Blame teachers. Those lazy, overfed teachers who work 80 hours a week 10 months a year so that they can also pull summer jobs for at least the first decade of their careers just to make ends meet, in order to instruct your mediocre “gifted” student with no help from you and your too busy, Blackberry-driven lifestyle.

Here’s a tip: There are bad teachers. They don’t last very long, and they’re not the problem with American education. Teaching is a hard life, and it takes a special caliber of person to do it.

Don’t feel bad. Build a light froth of cherry-picked data. You’re good at that. Use it to absolve yourself of guilt.

Attaboy, Malcolm.

Retired Addiction

The “Silent Hill: 0rigins” Soundtrack

No really, I’ve gone straight from being addicted to one Silent Hill soundtrack to another.

“0rigins” (with a little zed) was apparently a kind of a dashed off prequel for PSP, but the music is a full Akira Yamaoka score with vocals by Mary Elizabeth McGlynn (Melissa Williamson). As a handheld title by a different studio, the mix and arrangements are a bit smaller than 3 or 4, but it has some solid tracks. “O.R.T.” seems to be the fan favorite, but I prefer “Shot Down in Flames.”

My question is, how can a Japanese sound effects artist writing music for a horror videogame have a better sense of putting a rock song together than anyone on U.S. Top 40 radio?